132,657 Free Images of Colored Engraving

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis ojibwa people ho-chunk potawatomi (people)engravings in the british museum engraving by joseph parrocel

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Prairie Wolfes Attacking a Buffalo Bull Plates from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, George Catlin, ca. 1865

lithographs by george catlin realism

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le torrent et la riviere (The Torrent and theRiver), Louis-Simon Lempereur, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Les vautours et les pigeons (Vultures and Pigeons), Pierre Quentin Chedel, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

One Tree Hill, Greenwich Park, Thomas Rowlandson, 1802

prints in the national gallery of art (washington, d.c.)romanticism

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Academiegebouw te Leiden, ca. 1790 De Akademie te Leiden Vue de L'academie à Laiden (titel op object), BI-B-FM-116-31, Evert Maaskamp

18th-century prints in the rijksmuseum amsterdam colored etchings

Kick Up at a Hazard Table, Thomas Rowlandson, circa 1787–90

william holland (publisher)romanticism

Grote Markt te Rotterdam, ca. 1790 Groote Markt, te Rotterdam Grand Marché et Statue d'Erasme à Rotterdam (titel op object), BI-B-FM-116-35, Evert Maaskamp

19th-century prints in the rijksmuseum amsterdam colored etchings

Rafael Barradas - Retrato 2, Rafael Barradas, circa 1924-26

collections of the museo nacional de artes visuales rafael barradas

Xenocrates, Gottlieb Friedrich Riedel, 1781

gottlieb friedrich riedel xenocrates

Lucia Percye, Comes Carlylensis, Marcgravia Doncastrensis Baronissa Hayæ in Salcïa, etca., Pieter de Bailliu (I), circa 1635

stipple engravings in the yale center for british art 1630s portrait prints

The Feathers, Thomas Rowlandson, 1787

hand-colored aquatints romanticism

The Maiden Speech, Thomas Rowlandson, 5 October 1785

thomas cornell (artist)romanticism

Market Place at Cambridge, Thomas Rowlandson, 15 November 1801

prints by thomas rowlandson in the metropolitan museum of art romanticism

Het afscheid van Napoleon, 1896

napoleon i of france in art etchings by james ensor

Japon-1886-36, before 1886

hand-colored photographs of japan adolfo farsari album 01

The faithful wives of Weinsberg., Zacharias Dolendo

jacob de gheyn (ii)weibertreu

Woman with Parasol, Enoch Wood Perry, Jr., circa 1870

drawings in the national gallery of art (washington, d.c.)enoch wood perry, jr.

Winter Pastime, after F.F. Palmer, Nathaniel Currier, circa 1855

american prints in the brooklyn museum nathaniel currier

Ruins of the Abbey of Rijnsburg: Small Version, Hercules Seghers

etchings in the national gallery of art (washington, d.c.)baroque

Wall painter brushes

illustration city

Constantine Maurocordato, Georg Friedrich Schmidt, 1763

constantine mavrocordatos georg friedrich schmidt

Intocht van Wilhelmina van Pruisen en haar kinderen in Den Haag, 1787 Inhaaling van Haare Koninglyk Hooghied en de Vorstelijke Telgen 24 September 1787 (titel op object), RP-P-1937-170, Wilhelmina of Prussia, Princess of Orange, between 1787 and 1789

wilhelmina of prussia, princess of orange in engravings william i of the netherlands in art

View of the old Nikolaikirche in Potsdam (after Loeillot), Ernst Grünewald, circa 1838

historical views of potsdam ernst grünewald

The Return of the Holy Family, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

Hours of the day /Vesper, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

Jesus, aged twelve, goes to Jerusalem, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

Humble and Hidden Life of Our Lord Jesus Christ, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

The Magi come from the East to worship Jesus, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

Hours of the day / Nox, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

Hours of the day / Meridies, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

Hours of the day / Aurora, Joseph Parrocel

engravings in the british museum engraving by joseph parrocel

A Two O'Clock Ordinary, Thomas Rowlandson, 4 June 1811

satirical art works romanticism

Anneken Hendriks, Dam, Amsterdam, by Jan Luyken, 1685

engravings by jan luyken anneken hendriks

Portrait of Michel de Marolles, Robert Nanteuil, 1657

michel de marolles 1657 engravings

Portrætstudie, Niels Larsen Stevns

drawings by niels larsen stevns in the statens museum for kunst colored pencil

Razglednica Prešernove (Čopove) ulice

20th-century postcards of ljubljana colored postcards of ljubljana

View of Palace Yard on the day of the Coronation of His Majesty George IV, Charles Joseph Hullmandel, 1821

lithograph prints in the yale center for british art charles joseph hullmandel

Second aerial travelers, or experience of Messrs. Charles and Robert made in Paris in the flowerbed of the Royal Garden of Thuilleries on December 1, 1783. View taken from the Pont Royal.

first manned hydrogen balloon flight by jacques charles benoît louis prévost

King's Bodyguards - Guard of the March, 1814-1830., Eugène Titeux

garde du corps (france)eugène titeux

Mařaťanka, Joža Uprka, (1914) / 1937

history of uherské hradiště joža uprka

Courtship in Low Life, Samuel Alken, 15 December 1785

the elisha whittelsey collection samuel alken

Rum Characters in a Shrubbery, Thomas Rowlandson, 1 November 1808

satirical art works romanticism

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